" The words of the analytical language created by John Wilkins are not mere arbitrary symbols; each letter in them has a meaning, like those from the Holy Writ had for the Cabbalists. Mauthner points out that children would be able to learn this language without knowing it be artificial; afterwards, at school, they would discover it being an universal code and a secret encyclopaedia.
Once we have defined Wilkins' procedure, it is time to examine a problem which could be impossible or at least difficult to postpone: the value of this four-level table which is the base of the language. Let us consider the eighth category, the category of stones. Wilkins divides them into common (silica, gravel, schist), modics (marble, amber, coral), precious (pearl, opal), transparent (amethyst, sapphire) and insolubles (chalk, arsenic). Almost as surprising as the eighth, is the ninth category. This one reveals to us that metals can be imperfect (cinnabar, mercury), artificial (bronze, brass), recremental (filings, rust) and natural (gold, tin, copper). Beauty belongs to the sixteenth category; it is a living brood fish, an oblong one."
http://www.alamut.com/subj/artiface/language/johnWilkins.html
Following up on Wilkins, who Borges rightly laments is no longer referenced in the Brittanica,
I found Wikipedia helpful as always: he was Warden of Wadham Oxford, my old college, for ten years, though he is usually given more credit for being Dean of Trinity Cambridge for one.
He was one of the originators of the Royal Society, and a supporter of that great British democrat, Oliver Cromwell. A proud engraving of him now resides on my office wall.
http://en.wikipedia.org/wiki/John_Wilkins
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